The horn is one of the first instruments to appear in the texts of the Abrahamic faiths—Judaism, Islam, and Christianity—and as each faith has forged its place in the American experience, each has announced itself in its own way with the horn. Featuring the music of brass bands, the sounding of the shofar, and more, this program explores how American spiritual communities use the horn today to celebrate their faith in harmony.
Frank Gehry rejected strict Modernism early on, embracing experimentation, unconventional forms, and raw materials to redefine architectural expression. His Santa Monica house signaled this shift, and digital tools later enabled the sculptural complexity seen in the Guggenheim Bilbao, Walt Disney Concert Hall, and Fondation Louis Vuitton. Though often associated with Postmodernism and Deconstructivism, he resisted labels, prioritizing intuitive exploration. Celebrated and criticized, Gehry transformed contemporary architecture and expanded the possibilities of what buildings can communicate. Bill Keene, a lecturer in history, urban studies, and architecture, examines Gehry’s life and work. (World Art History Certificate elective, 1/2 credit)
Among President Franklin D. Roosevelt’s New Deal initiatives was the Federal Art Project, which offered a crucial source of income and creative purpose for thousands of artists at a time when galleries were shuttered and patrons scarce. At its peak, the program employed over 5,300 artists. Art historian Nancy Elizabeth Green explores the enduring legacy of the Federal Art Project, illuminating how art and government together helped to lift the spirits of a nation during one of its darkest times. (World Art History Certificate elective, 1/2 credit)
Art historian Sophia D’Addio surveys Umbria, known for hill towns, majestic landscapes, and the legacy of Saint Francis. Perugia, Assisi, Spoleto, and Orvieto hold medieval and Renaissance treasures. Umbria’s culinary specialties focus on prized local ingredients such as black truffles, wild boar, lentils, and olive oil. (World Art History Certificate elective, 1/2 credit)
Willa Cather’s visits to Santa Fe in the 1920s with her partner, book editor Edith Lewis, inspired her to research and write the enduring novel she referred to as her best book. Author Garrett Peck examines how the Southwestern setting and spirit of Death Comes for the Archbishop is rooted in those travels.
Long before modern art found its home in museums, it thrived in salons, collections, and networks cultivated by women. From gatherings in Europe to avant-garde circles in early 20th-century New York, these women nurtured artists, championed emerging talent, and shaped the tastes that defined modern culture. In a 3-session series, art historian Jennie Hirsh highlights the salonnières and patrons who forged spaces where innovation flourished. This session focuses on European women. (World Art History Certificate elective, 1/2 credit)
World’s fairs have long served as global showcases for innovation, culture, and progress. In a 3-part series, art historian Jennie Hirsh delves into the pivotal exhibitions held in St. Louis in 1904, San Francisco and San Diego in 1915, and Paris in 1925, examining how these landmark events showcased each era’s groundbreaking achievements in technology, culture, science, art, and architecture. This session focuses on the Paris 1925 World's Fair.
From ancient times to the present scientists and philosophers have marveled at how such a seemingly abstract discipline as mathematics, which appears to have been a product of human thought, could so perfectly explain the natural world. In a fascinating presentation, astrophysicist Mario Livio explores why mathematics is a powerful lens through which to examine the cosmos.
