All upcoming Daytime programs

On April 15, 2019, the world watched as Notre-Dame de Paris withstood a devastating fire. But the great Gothic cathedral itself has watched over its city for nearly a thousand years, from the beginning of its construction in 1163 to the French Revolution when its statues of kings were beheaded to witnessing the adversities of World War II. With its reopening scheduled for December, Met Cloisters curator emerita Barbara Drake Boehm traces the history of this monument through times of turbulence and triumph.

Discover the world’s deadliest caterpillars; a butterfly that shares its world with polar bears at one extreme and penguins at the other; and screaming moths that can jam the sonar of predatory bats. Wildlife documentary filmmaker Steve Nicholls looks at why it seems there’s no end to the tricks that evolution has come up with as it turned the Lepidoptera into one of the most successful of all insect groups.

Composing is solitary work, but artistry cannot flourish in isolation. Whether reclusive or gregarious, socially inept or beloved and charming, all successful composers were supported by a wide network of friends, family, fellow professionals and patrons. From Mozart and Haydn to Richard Wagner and Ludwig II of Bavaria to Aaron Copland and Leonard Bernstein, speaker and concert pianist Rachel Franklin examines some of these fascinating associations and the inspiring music that we owe to them.

Art historian Sophia D’Addio of Columbia University offers an introduction to the visual culture of Renaissance Italy from the 14th through 16th centuries in a five-part series of richly illustrated programs on varying types of images, objects, and structures. She examines some of the most influential and fascinating works of the period, exploring their formal innovations and the relationships between powerful patrons and skilled artists that resulted in their creation. (World Art History Certificate core course, 1 credit)

More than any other creator, Piero della Francesca was responsible for the development of 15th-century painting in Florence and its crucial dissemination throughout Italy. His compositions marry art and science with cool precision and a sophisticated grasp of perspective. Join Renaissance art historian Elaine Ruffolo from her home in Italy as she follows Piero’s extraordinary career and his journey through Tuscany, Umbria, and Urbino. (World Art History Certificate elective, 1/2 credit)

Discover the power of reflective writing inspired by art guided by the founding instructor of the National Gallery of Art’s Writing Salon, Mary Hall Surface. The work of two British artists, painter Evelyn De Morgan and poet and playwright Carol Ann Duffy, open participants to an exploration of Demeter, Greek mythology’s goddess of fertility and Mother Earth. Through close looking and imaginative writing, they reflect on the myriad meanings of mothering in their lives, in the natural world, and in the creative process.

Composing is solitary work, but artistry cannot flourish in isolation. Whether reclusive or gregarious, socially inept or beloved and charming, all successful composers were supported by a wide network of friends, family, fellow professionals and patrons. From Mozart and Haydn to Richard Wagner and Ludwig II of Bavaria to Aaron Copland and Leonard Bernstein, speaker and concert pianist Rachel Franklin examines some of these fascinating associations and the inspiring music that we owe to them.

Art historian Sophia D’Addio of Columbia University offers an introduction to the visual culture of Renaissance Italy from the 14th through 16th centuries in a five-part series of richly illustrated programs on varying types of images, objects, and structures. She examines some of the most influential and fascinating works of the period, exploring their formal innovations and the relationships between powerful patrons and skilled artists that resulted in their creation. (World Art History Certificate core course, 1 credit)

In the early 20th century, a group of Italian artists sought to embrace modernity in all its glorious messiness and contradictions. The result was Futurism, not a style but a way of looking at life. Its adherents called for abrupt change and the replacement of reason and order with vitality and force of will. Art historian Mary Ann Calo examines Futurism as both an idea and a development in the visual arts. (World Art History Certificate elective, 1/2 credit)

Silk, prized for its lightness, luminosity, and beauty is also one of the strongest biological materials known. The technologies it has inspired—from sutures to pharmaceuticals, replacement body parts to holograms—continue to be developed in laboratories around the world. Author Aarathi Prasad outlines the cultural and scientific history of the fabric including its origins, the ancient silk routes, and its future as a powerful resource.