All upcoming Authors, Books, & Writing programs

What makes Dante’s Inferno essential reading today, even though it was written seven centuries ago? Literature professor Joseph Luzzi sheds light on the fascinating world of Dante’s epic poem in all its cultural and historical richness. He highlights Dante’s relationship to his beloved hometown of Florence, lacerating experience of exile, and lifelong devotion to his muse, Beatrice.

Ernest Hemingway’s 1952 novella The Old Man and the Sea received the Pulitzer Prize for Fiction and was also singled out when Hemingway was awarded the Nobel Prize in Literature in 1954. Literature professor Joseph Luzzi guides the audience through a close reading of this masterpiece, highlighting Hemingway’s brilliant characterization, detailed depictions of the natural world, and inquiry into the relationship between the human and animal worlds.

In the late 1950s, having already won lasting fame as a novelist, John Steinbeck was seized by a powerful urge to return to a longtime dream: contemporizing Sir Thomas Malory's Morte d' Arthur. Public humanities scholar Clay Jenkinson offers a fascinating look at the book that became the critically dismissed The Acts of King Arthur and His Noble Knights and Steinbeck’s quest to give new life to Malory and use the tales of King Arthur as a medium for his own expression.

Drawing on his new book The Demon of Unrest, Erik Larson examines the chaotic months between Lincoln’s election in November 1860 and the Confederacy’s shelling of Sumter—a period marked by tragic errors and miscommunications, enflamed egos and craven ambitions, personal tragedies and betrayals. Using information from diaries, secret communiques, slave ledgers, and plantation records, Larson discusses the five months that led to the start of the Civil War—a slow-burning crisis that finally tore a deeply divided nation in two.

Discover the power of reflective writing inspired by art guided by the founding instructor of the National Gallery of Art’s Writing Salon, Mary Hall Surface. The work of two British artists, painter Evelyn De Morgan and poet and playwright Carol Ann Duffy, open participants to an exploration of Demeter, Greek mythology’s goddess of fertility and Mother Earth. Through close looking and imaginative writing, they reflect on the myriad meanings of mothering in their lives, in the natural world, and in the creative process.

Shakespeare’s Macbeth is one of his bloodiest and most haunting plays, distinguished by its recurrent use of the supernatural. Joseph Luzzi, professor of literature at Bard College, guides you through the rich verbal intricacies and captivating themes of the play, especially its treatment of political ambition and the nature of the monarchy. An analysis of the psychological makeup of main characters Macbeth and Lady Macbeth leads to considering what made Shakespeare such an astute student of human nature.

From her perspective as a historian of the English language, linguist, and veteran English professor at the University of Michigan, Anne Curzan examines some common peeves in grammar, tackling such puzzlers as “who vs. whom,” “less vs. fewer,” “based on vs. based off,” and the eternal “between you and I.” She explores how we can reconcile the clash of our inner grammando (who can’t help but judge bits of usage we see and hear) and inner wordie (who loves to play Wordle and make new puns and the like) and offers tools for becoming an even more skilled word watcher.

Geoffrey Chaucer is often called the father of English literature because of his groundbreaking work, The Canterbury Tales. Joseph Luzzi, professor of literature at Bard College, explores what makes this masterpiece tick. He explores how Chaucer created such compelling characters as the Wife of Bath, a pioneering figure in the construction of modern female identity, and how his work influenced a range of later authors.

Inspired by the letters in her new book, Joyce Carol Oates: Letters to a Biographer (Akashic), Joyce Carol Oates, in a conversation with author and educator Rebecca Boggs Roberts, discusses her writing process and style over the past four decades. The letters in the book were part of a correspondence with a graduate student who eventually became her biographer.

For centuries, dictionaries were works of almost superhuman endurance produced by people who devoted themselves for years, even decades, to the wearisome labor of corralling, recording, and defining the vocabulary of a language. Educators and authors Bryan A. Garner and Jack Lynch share the stories behind these great works of scholarship and the people who produced them, including towering figures of English lexicography such as Samuel Johnson, Noah Webster, and the Oxford English Dictionary’s James Murray, as well as more obscure dictionary makers whose achievements are no less fascinating.